Last night I was driving Lydia home
from ballet when one of the Proms concerts started to air on the
radio.
“Oh Lydia, it's the proms!” I said.
“Maybe, when we move to England, you'll be able to go to the
proms!”
“What's the proms?” She asked so I
told her all about it – about that summer's afternoon when we were
on holiday in England, many, many years ago and our father announced:
“right, everybody, shoes on, go to the toilet and into the car!”
“Why? Where are we going?”
“We're going to a concert.”
“Where?”
“In London.”
Oh.
So we raced into London, miraculously
without breaking down, found parking – even more miraculously and
probably highly illegally – in Hyde Park and ran to the Albert
Hall. But by the time we panted to a stop outside the megalithic
stone hall, we were too late.
“There's no more tickets for the
arena!” The stewards were shouting.
“Never mind, we'll go in the
gallery,” Daddy said and so my first ever Proms concert was sitting
on the marble floor of the gallery that runs round the inside of the
hall, gazing down, with my myopic eyes, at the fuzzy heads on the
stage far far below, the music wafting upwards, a split second behind
the bowing and twinkling of fingers. I can't remember what the music
was, but I was hooked.
From then on I was a regular at the
Proms, sometimes alone, sometimes with my sisters, sometimes with
friends we dragged along. We would take the first train to London in
the morning, Victoria line from Euston, Piccadilly line from Green
Park, run through the tunnel at South Kensington Tube station and up
the Brompton road and along Prince Consort, to the steps of the
Albert hall – wherein was the queue for the Arena. We would sign
our names on the list and then queue all day – though we were
allowed off for short periods, to get lunch etc. I would take my
violin and busk, either in Kensington Gardens or the the Tube
station, always earning back the money I paid for my train ticket and
proms ticket and food, plus extra if I was lucky.
And, for the price of two pounds I
stood at the feet of Joshua Bell, Midori, Anne Sophie Mutter, Yo-Yo
Ma, Dong Su Kang, Alfred Brendel, the best orchestras from around the
world.
I told all this to Lydia. I told her
about the life long friends we made in the queue; how we would sit
and chat in the sun on the steps and play cards and cats cradle, how
we would bring instruments and play chamber music; how, one year, we
practised for and performed an operetta under the feet of Little
Albert on the Last Night of the Proms; how we slept out in sleeping
bags on the pavement for a couple of nights to guarantee our places
for the Berlin Philharmonic and the Last Night. I told her about the
excitement of the doors opening, going inside, buying our tickets and
racing, hearts pounding, through the dusty bowels of the Albert Hall,
to the arena to bag a decent place on the rail in front of the stage.
I told her about the games of Ping pong we in the arena had with the
promenaders in the Gallery: “Anyone for a game of tennis?”
“Yeeeeesssss!”
“Ping!”
“Pong!”
And she said: “Gosh, how boring.”
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